7/15/2023 0 Comments Kate netflix ostHere, the Featheringtons are throwing their lavish ball, and by this time, so much has happened between Kate and Anthony. There’s not another big ball moment all the way until the final episode, as far as the covers go. And certain people in the crowd are picking up on the electricity between them. There are so many emotions as their eyes dart toward each other. I think that reflects both their feelings in that moment as they’re having this dance and shooting these tension-filled looks at each other. The lyrics focus on having feelings for someone, but you’re not the one that they’re kissing, and you’re not the one that they’re taking home. And at this point in the story, we’re in a situation where Anthony is more publicly courting Edwina, but clearly Kate and Anthony have a connection. The next ball is in episode four when Anthony and Kate dance together for the first time, to “Dancing on My Own” by Robyn in a cover by Vitamin String Quartet, who we love and used a bunch in season one as well. She wants everyone to know that this is the Diamond Ball, so they’re going to play “Diamonds” as people arrive. Like, if the Queen was putting together a playlist, she would want it to be right on the nose. This is where we hear the Hannah V and Joe Rodwell cover of Rihanna’s “Diamonds.” Up to this point, this is the event of the season and where Edwina is crowned the Diamond of the season. In that same episode, we have the Queen’s lavish Diamond Ball. Chris really wanted it for that scene, and getting to have Kris compose allowed us to tailor it exactly for that moment of the Sharmas’ arrival. And it’s the perfect song for this ball because you can see that these young women and men are looking for a match who comes from a good house or has lots of money - material things. This season, he wrote and recorded a couple of the ball songs, and this was one of them. What we’re hearing is a beautiful rendition of Madonna’s “Material Girl” by our composer, Kris Bowers. Everyone else’s main reason to be there is to begin looking for potential pairings. In season two, we start with the Pastel Ball, where the Sharmas are coming out for the first time to see everyone and be seen. They’re the big flourishes when we get to see everyone in the ton coming together, and we feature pop covers to heighten it even more. Justin Kamps on all the covers at the ballsĪs you know, the Bridgerton balls are the main events of all the characters’ lives. And at some point, Chris asked the music editor to try cutting that little piece of music from the ball into the main title and just fell in love with the way it worked. When it came time to write the main title, I tried a few different ideas, reworking other parts of other themes, including the Lady Whistledown theme, Daphne’s theme, and Daphne and Simon’s theme. We wrote it to the BPM of Daphne’s and Simon’s dancing and created something that functioned similarly to a pop song, as far as the core progression, melody, and the rhythm and groove went. So, for that moment, he really wanted to lean into almost a pop sound. Up until that point, all the balls’ source music - essentially, the music that everybody was dancing to - felt a bit more traditional than the score had been feeling. It took a second to find that theme, something that worked for that moment, because Chris wanted something that felt modern. It was written as a piece to play during the ball where Daphne and Simon first dance together under the fireworks at the Vauxhall Pleasure Gardens. The fun thing about it is that it wasn’t initially written as the theme song. With season two safely out in the world and breaking hearts everywhere, we thought it was high time to sit down with the magicians behind the music, Bowers and Kamps, to find out how they do what they do and have them fill us in on the secrets behind the sound of Bridgerton. We can also thank Beers for that, as it was her brainchild during production of season one to re-create modern pop hits like Ariana Grande’s “Thank U, Next” and Maroon 5’s “Girls Like You.” Justin Kamps took over from his mentor, Alexandra Patsavas, as music supervisor for season two of Bridgerton and is responsible for all those classical covers of pop songs that Bridgerton is so well known for. Indeed, they’re the ones who handpicked those who crafted the music that helps tell the Bridgerton story.Ĭomposer Kris Bowers, known for his work on the Netflix series Dear White People and the Oscar-winning film Green Book, had previously worked with the Shondaland family on ABC’s For the People. The music of Bridgerton is not the least among the parts that help to create the world envisioned by Chris Van Dusen’s writing and executive producers Shonda Rhimes’ and Betsy Beers’ guidance.
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